In an interview in 1987, Harrison said that the recording was inspired by Fleetwood Mac's "Albatross". This occurs in the beginning of the song, and then again at the end. The fast guitar line slowly moves from right to left channel and then back. A version of McCartney playing with this theme was released on Anthology 3.Īnother noted aspect of the song is its use of cross-channel movement, or stereo panning and fading. Paul McCartney recalled that one of the expressions that he meant to include was "Los Paranoias", a name by which he and Lennon would refer to The Beatles. Just like sort of-it doesn't mean anything to me but (childish taunting) 'na-na, na-na-na'. So we just strung any Spanish words that sounded vaguely like something. Paul knew a few Spanish words from school, you know. We just started joking, you know, singing 'quando para mucho.' So we just made up. In 1969, Lennon was interviewed about these lyrics and said, The faux Romance mixing of languages occurs in the last three lines of the song. At the end of the song, the music stops abruptly and a Ringo Starr drum fill leads into the next track, " Mean Mr. The song is in three-part harmony, sung by Lennon, McCartney, and Harrison. Later, the song, in minor key with an organ in the background, breaks into a faux Romance language mixing English, Italian, Spanish, and Portuguese. The lyrics to start the song are the same as the title and lyrics of "Here Comes the Sun", but with the word "King" inserted afterwards, although George Harrison wrote the latter and "Sun King" is written by John Lennon. The working title was "Here Comes the Sun King", but was shortened to "Sun King" to avoid confusion with the song " Here Comes the Sun".
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